YORK: Book One of THE SHADOW CIPHER by Laura Ruby
Tess, Theo and Jaime live in a Morningstarr apartment building in an alternate steam punk New York. In the eighteenth century, the mysterious Morningstarr twins designed the city with ingenious robotic creatures that run air and underground trains and scuttle out of manholes to clean streets. When a developer threatens to demolish their building, Jaime, Tess and Theo are determined to find the Morningstarr treasure to save it. First, they must solve the Morningstarr cipher, a puzzle that's stumped treasure hunters for over 160 years. As the children race to beat the demolition date, the city and the cipher seem to funnel them clues, drawing them into a Morningstarr world, both thrilling and dangerous.
This book was immensely entertaining, beautifully written and emotionally satisfying. Although the characters sometimes seemed more sophisticated than their age, especially the youngest (five or six, I think) who traveled the halls on her bike, they were all charming and diverse. The setting was richly imagined and the plot kept me turning pages. I'm looking forward to the next book and I think advanced middle grade readers of mystery and science fiction will love it.
For more kid lit reviews, head over to Jen Vincent's and Kelly Moye's blogs.
I've been querying agents for about eight years. When I started, I kept a hand-written journal, noting the dates and responses I received from my list of carefully researched agents. The last two years, I abandoned my journal for a digital spread sheet. February 12, 2018, I typed the final entry:
SIGNED WITH MY AGENT!
Ten years learning to write. Four novels queried. Over ninety queries sent. Seventy-one rejections. One offer to represent. The other nineteen agents were informed that I signed with an agent, so I don't know how they would have responded to my work.
I've always learned from and been inspired by posts about authors' journeys to acquiring an agent, so I thought I'd share a bit of mine. When I submitted my first book, I had no idea how far I was from being ready. I sent off the requested pages, along with a horrible synopsis. I'm sure it was the easiest rejection of the day for every agent on my list. Was I crushed? Yes, but I moved on. I took online classes, read books on craft, joined two critique groups on top of the one I already belonged to, thinking I'd learn three times faster. And I revised over and over and over again.
Five months later, I submitted my first book again, but more cautiously and to fewer agents. I received two requests for partials. Jump for joy, progress! In the end, they all rejected my dear book. So I set it aside, thanking it for all I'd learned. A year or so later, I queried my second book. By this time, I expected the rejections, but they stung just as much. I took my book to workshops and conferences, read more books on craft and listened to critique partners.
By the third book, I knew how much I didn't know and was intimidated by how much I had to learn. I considered an MFA, but, given a writer's earning potential and our budget, I couldn't rationalize spending the money. So I plugged along the path. I knew quite a few published authors by now, and it was wonderful to celebrate their new books. It was also growing harder to imagine my books ever sitting next to theirs on a shelf.
I learned to write lovely prose and create enticing concepts. Yes, the third book was also rejected when I queried. But two agents said they'd like to see more of my work! And I discovered something crucial in the agents' responses, the weak spot I needed to focus on . . . structure. I needed to learn how to plot. So for my fourth book, I chose a story that would fall apart without a well-conceived plot. Ignoring the urge to create pretty writing, I gave my character a concrete goal and charged towards that goal on an armored-horse with a lance in hand. I worked on that book for almost two years. It won Florida's 2018 Rising Kite contest. I submitted it to agents the week after and was offered representation one week later.
Here's what I learned from this journey:
Read new books in the age category that's your focus. Read award-winning books. You don't have to analyze them, but become familiar with what kids are reading today, and soak up the way good stories are told.
Learn everything you can about writing for children. There are many good books on craft to choose from. Join the Society of Children's Book Writer and Illustrators. Jump on their forum, ask questions and participate in discussions. Attend SCBWI workshops and conferences for motivation, education, networking and opportunities to pitch your book to editors and agents.
Find a good critique group. Your local SCBWI chapter can help with that. Critique partners not only help you grow your book, they help with query letters and they're there to support you. Writers understand writers.
When you're facing an inbox of rejections, agents can seem like the enemy. They're honestly not. They work weekends and nights, shuffling through massive piles of queries. They give up their days off because they want to find their next client. They want to find stories they love. So, before you send a query, ask yourself if it will shine in that pile of hopeful submissions.
Learn what you can from rejections. If an agent responds with a personal comment, read it carefully. Decipher it. Has she said I'm not relating to the character? Study character emotion and how to put that on the page. Did she not connect with the concept? How can you make it more original and dynamic?
Perseverance is your best friend. Embrace it. Feed it vitamins. You need it healthy and strong!
No two paths are alike. When you start comparing yourself to someone who published their first book after only two years of writing, put blinders on and focus on telling the stories only you can tell. Every book you write teaches you how to write better. There are no wasted efforts, unless you quit. Don't give up!
I write middle grade and young adult books with a magical twist, and I'm represented by the fabulous Leslie Zampetti at Open Book Literary.
Lorin Oberweger - Freelance Editor