When I was a new writer, dreaming about the books I would write and what they would become, I came to conferences hoping to learn. I was in starstruck awe of everyone, from the seasoned attendees and published authors to the agents and editors.
After a few years, I came to conferences hoping to be inspired and learn something from workshops, but I also hoped to earn critiques with agents or editors who might be interested in my work. I knew some of the authors and quite a few attendees. The agents were familiar from the lists I had researched to query my manuscripts. I was no longer starstruck, but I had great respect for authors, agents and publishers.
A couple weeks ago I attended Florida's SCBWI summer conference as an agented writer with a book on submission to publishers. My respect for everyone in the children's book world hasn't diminished, it's grown. I'm in awe again, not starstruck-new-writer awe, but the kind of awe that comes from learning how hard everyone, from regional volunteers to agents and editors, works to make published books happen.
As I sat in the conference gathering room, waiting for seats to fill and our Regional co-leader Linda Bernfeld to welcome attendees and send us off to workshops, I realized this year was different for me. I was no longer here just for learning or publishing opportunities. I was here because of the people. The writers, young and old, new and seasoned, published and unpublished. We need each other, and I'm one of those seasoned writers now. I want to support new attendees. I want to support the regional volunteers who devote hours and hours for the good of children's writers. I want to be a link in the bond that weaves us together and makes us strong.
I'm a world-class introvert who, except for college, has been perfectly happy creating art by myself without a soul intervening. But the day I realized I wanted to write books for children, I went looking for people with the same goal. I needed to learn and I wasn't prepared to go into debt for an MFA. So I joined the Society of Children's Writers and Illustrators and found a local critique group.
That was ten years ago. Not only did I discover writers who were willing to share their knowledge and experience, I found people who accepted and supported me. My critique partners, the Skyway Writers, are committed, compassionate women. We're as dedicated to helping each other succeed as we are to achieving our own goals. We share our stories, our hopes, our devastation over hurtful book reviews, or agents and editors who pass on our projects. As our knowledge evolves, our writing grows stronger through honest, intensive feedback. Today, I consider these women great friends and I can't imagine writing without them.
Bolstered by my critique group experience, I fought my reclusive tendencies and dragged myself to SCBWI events. Here in Florida, we have an amazing community of writers. For many years, writing teacher and picture book author, Rob Sanders organized local SCBWI workshops and presentations. No introvert stands a chance when confronted with Rob's charm. He has a smile as warm as Texas and a passion for helping writers achieve their goals. He has now passed his local responsibilities to writing coach Bob Schwartz, but Rob hasn't stopped encouraging writers. At the state level, Florida's Regional SCBWI Advisor, Linda Bernfeld, works year round with a host of dedicated volunteers to support writers. They orchestrate two conferences, gathering some of the publishing industry's best and brightest to teach and inspire Florida writers. Florida SCBWI also provides mentoring opportunities, a website and newsletter, a statewide boot camp, an annual writing contest and a growing list of critique groups. If you visit a conference, you'll see Linda and her team, racing here and there, making sure writers and presenters have what they need. They come to those conferences, determined to make writers' dreams come true.
From the start, everyone, and I mean everyone, has been kind and friendly. I'm not sure what it is about children's writers, but if you sit next to one, you've likely made a friend for life. Some are shy like me, some outgoing and engaging. But they all scoot over to welcome new members. And that feeling isn't contained to Florida. SCBWI President Stephen Mooser answers emails as if he's sitting across from you, sipping tea. He and Executive Director Lin Oliver, travel from their homes in California to teach and inspire at our conferences. They offer a fantastic yearly grant contest, opportunities for members to publish articles, poems and illustrations in their magazine The Bulletin, and a place to interact, ask questions, find and form groups on their website.
But even with that army of goodwill permeating a decade of SCBWI membership, the child inside me who moved too many times to make friends, hesitated to believe I belonged.
Until two weeks ago.
It was the weekend of the SCBWI conference in Miami where the results for Florida's 2018 Rising Kite writing contest would be announced. I wasn't able to attend, but encouraged by writing partner Augusta Scattergood, I entered my middle grade book in the contest. Sunday afternoon, my phone pinged. Fellow Skyway writer Teddie Aggeles texted "Look at your email!"
I did. There in my inbox was a message from two more Skyway Writers, JC Kato and Janet McLaughlan. They were at the conference, cheering and accepting my award for first place in middle grade fiction. My phone pinged again and I pulled up Facebook to see a photo and congratulations from author/illustrator Fred Koehler:
More cheers followed, many, many cheers, from people I knew and people I didn't. I cried happy tears off and on all afternoon. Winning was a great honor and a thrill, but it wasn't the award that overwhelmed me. It was the kindness and love from writing friends. It went straight to my heart and broke that rusty, old lock that chained me to the belief I didn't belong. So, thank you Rob and Dorian Cirrone, for your special efforts to support this reticent writer. Thank you Janet and JC, for cheering my win, accepting my award and pitching my book to an agent. You are the most awesome writing pals. Thank you Fred and Teddie for elevating my Sunday afternoon by announcing my win. Thank you Augusta for always, always encouraging writers to reach for the dream. And last, but in no way least, thank you Linda, Dorian, Linda Shute, your brigade of volunteers and every person who scoots over to make room for shy people. You are a powerful force for good in this world.
twinkiesNative Floridians aren't easily distracted by nature. We grow up with a variety of amphibians and reptiles, including alligators, over 12,000 insect species and forty-four snake species. We learn early on to leave gators be. Don't feed them, for crying out loud, unless you want them knocking on your door and looking at your fingers as if they're Twinkies! We know which snakes and bugs are poisonous and we learn to get along with them all. It's their planet, too, and they'll likely be here long after we're gone. I'm always surprised at newcomers who are disgusted by lizards. I think they're cute.
We're used to hot, humid weather that melts ice cubes before they've had a chance to chill your drink. Daily thunder storms with booming lightning don't stop Floridians from going about their business. When I was a little girl, we invited the family to our house during hurricanes. The kids played games. I don't remember what the adults did but it seemed everyone had a good time and the next day, we picked up and moved on.
Writers are a lot like Floridians. We don't let much distract us from our work. Even when we stop typing, we're figuring out story in our heads. We do it while driving, doing chores, waiting in lines and sometimes when we're supposed to be listening to the person next to us. Work isn't nine to five for us and storytelling isn't just a job, it's a mission.
Two weeks ago a storm called Irma headed to Florida with her eye set on Tampa Bay. I imagine every writer in the state stopped writing like I did, to watch that storm on the news. It was a monster, wider than the state, chewing up the islands below us and leaving devastation behind. Now that I'm grown, I take hurricanes seriously. And from the sounds of it, so do most Floridians, including the children's writing community. Thousands listened to the dire warnings and evacuated. The people who stayed behind searched for a safe place to ride out the storm.
We boarded our windows and doors, filled our cars with gas and our cupboards with canned food and water. Neighbors helped neighbors and wished each other well before heading inside to sit awake all night, listening to Irma batter our houses. On Facebook, the children's writing community lit up with offers of help and thoughts for everyone's safety. After Irma passed, Floridians cleaned up downed trees and smashed fences. They sweated in houses that no longer had electricity. Some faced destroyed homes and a long road back to normal.
The writers in my group struggled to drag their thoughts back to their stories. A statewide series of workshops was postponed and a contest deadline extended. But we will recover, and we won't have to do it alone. The children's writing community supports its members. Lin Oliver and Stephen Mooser of The Society of Children's Book Writers and Illustrators have offered to cover the costs of everyone (everyone!) wanting to attend the postponed workshops. The workshops have already been rescheduled, and I'm busy working on my contest entry. Writers, like Floridians, expect hardships and challenges. We're not going to let a storm, no matter how fierce, keep us from our art.
Saturday morning before the sun rises, I'm driving with a writing partner to the Society for Children's Writers and Illustrators conference in Orlando. The first thing I tell new writers when they ask for advice is join SCBWI. Without them, I suspect many children's writers and illustrators would give up before their books reach the hands that are meant to hold them.
The minute I realized I wanted to write for children, I Googled writing groups, found a meeting nearby and joined. I was a woman with a dream and no skills. Who knew there were writing rules? I spent a year learning the basics and I'm forever grateful to the woman who had the patience to pass them on without a single groan or eye roll. But she didn't write for children and even though others in the group did, we were all struggling to understand what that meant. Sometime in that year, I discovered SCBWI and thought why not, I'll join that, too. When I attended my first SCBWI critique group, I knew I was in the right place.
At the national level, SCBWI offers a website that caters to the needs of members. There are blogs, resources, grant contests, a message board where you can get any question imaginable answered, find online critique groups and get your query letter reviewed. SCBWI hosts a summer conference in Los Angeles and a winter conference in New York. They also publish a quarterly magazine called the Bulletin and an online newsletter.
SCBWI is represented in every state by volunteer-run groups. Florida's chapter hosts two conferences a year, a mentorship program, a newsletter, local workshops and an annual contest. It also facilitates the ongoing need of members to establish critique groups. Which leads me back to my weekend. When you go to a conference, expect great things, like learning from agents, publishers and authors of admirable books. Saturday, I'll be attending a middle grade fantasy workshop with author Henry Neff and senior editor for Scholastic, Matt Ringler. How wow is that?
Expect to leave conferences inspired and motivated. Even better, expect new friends. I've never met a friendlier crowd than SCBWI. They share your dreams, understand your trials, and they'll celebrate your success. If your new to the writing world and you're attending your first conference, you might make connections that lead to a writing group. For sure, exchange emails. Writers need support. Even if you're an introvert like me, you don't have to do this alone.
Saturday morning, my writing partner and I will probably chat all the way to the conference about our stories, the workshop and what we hope to learn. When the sun dips below the trees, we'll turn the car towards home, our heads filled with what we learned and our hearts filled with renewed dreams and the encouragement of friends.
In author Terry Pratchett's Disc World series, dragons are real, as long as people believe in them. The stronger the belief, the more magnificent the dragon. In the series' first book, The Color of Magic, the main character is high above the ground, escaping on someone else's imagined dragon when he realizes doubting the dragon's existence could mean a long fall to the ground.
An article I wrote called Never Stop Believing was recently published in the Society of Children's Book Writers and Illustrators Bulletin magazine. It was about perseverance and fighting doubt in your work. I don't think I've ever met an artist or writer who hasn't faced doubt. For some, it's a constant companion. Writers experience it when their first drafts are criticized by peers, their polished work rejected by agents and editors, and their published work picked on by negative reviewers.
Yet, we keep on creating. It's who we are. Art grows inside of us and begs to be fulfilled. So we write our stories and craft our artworks and we try to believe they're worthy. That's where the dragons come in. I love the idea of a mighty beast as metaphor for our belief. The stronger our faith in our work, the more powerful the dragon. And it isn't just about our work, it's about believing in who we are, right now, no matter what we look like or what we've accomplished or how we compare to others. If we don't believe in ourselves, we cripple our abilities and potential.
Imagine you're nestled behind a dragon's wings, flying high over your town. You've just finished your latest art or story and it's good, maybe better than good. You can't wait to show it to others. Some love it and some don't. You downplay the praise and focus on the criticism. Your dragon starts to fade and you're falling fast towards the ground.
If we rely on others to confirm our art is worthy, we abandon the creative spirit inside of us. That spirit needs our faith to keep it flying high. So envision your dragon and feed it often. Grow it into something powerful and beautiful, just like you.
We writers spend so much time alone with our story characters, we feel awkward in the presence of humans. Despite our insecurities, we attend conferences and critique groups, partly to ease our craving for social contact. I believe most writers benefit from peer support, especially when they're submitting and facing those confidence-crippling rejections.
I have several friends who are submitting manuscripts to various venues, some without the support of critique groups. I feel for them and it makes me even more grateful for my group. For me, nothing beats a physical group, the sincere advice, sympathetic coos and enthusiastic cheers offered in person. But when I submit, my insecurity rises to atomic level and I need additional support. Two children's writer's venues I've found extremely useful are the Verla Kay and Society of Childrens Book Writers and Illustrators' discussion boards. On Verla Kay, members can post questions in threads covering topics like genre, marketing, and craft. VKers helped me shape an agent-worthy query and while I waited, I researched query response time on their agent list. Some VK members are published authors who generously share their experience. Once, I was thrilled when Maggie Stiefvater answered my question and that was after she'd became a YA fantasy star.
SCBWI offers a similar discussion venue but you must be a paid member to participate. Most serious children's writers join the organization which has been the hub of my writing community, supporting regional critique groups and conferences. SCBWI's website provides helpful resources for beginning writers and grant opportunities. Writers use the discussion board to form physical and online critique groups, network, inform and learn. When I sold my first story, I sought clarification on contract terms and received a helpful response from a legal expert on SCBWI.
I'm sure there are other valuable websites dedicated to the children's writing community. The best thing about virtual venues is showing up just as you are and not worrying about bed hair or that coffee stain on your shirt. I've found the online writing community kind and encouraging, so no excuses, come out of your cave, turn on the computer and click!
I write middle grade and young adult books with a magical twist. I'm represented by the fabulous Leslie Zampetti of Dunham Lit.
Lorin Oberweger - Freelance Editor