When I was a new writer, dreaming about the books I would write and what they would become, I came to conferences hoping to learn. I was in starstruck awe of everyone, from the seasoned attendees and published authors to the agents and editors.
After a few years, I came to conferences hoping to be inspired and learn something from workshops, but I also hoped to earn critiques with agents or editors who might be interested in my work. I knew some of the authors and quite a few attendees. The agents were familiar from the lists I had researched to query my manuscripts. I was no longer starstruck, but I had great respect for authors, agents and publishers.
A couple weeks ago I attended Florida's SCBWI summer conference as an agented writer with a book on submission to publishers. My respect for everyone in the children's book world hasn't diminished, it's grown. I'm in awe again, not starstruck-new-writer awe, but the kind of awe that comes from learning how hard everyone, from regional volunteers to agents and editors, works to make published books happen.
As I sat in the conference gathering room, waiting for seats to fill and our Regional co-leader Linda Bernfeld to welcome attendees and send us off to workshops, I realized this year was different for me. I was no longer here just for learning or publishing opportunities. I was here because of the people. The writers, young and old, new and seasoned, published and unpublished. We need each other, and I'm one of those seasoned writers now. I want to support new attendees. I want to support the regional volunteers who devote hours and hours for the good of children's writers. I want to be a link in the bond that weaves us together and makes us strong.
Book reviews are helpful to writers and readers. I've been a lazy reviewer in the past, so in an effort to become a more consistent reviewer, I'm hoping to post one a month.
Today, I'm featuring VINCENT AND THEO, THE VAN GOGH BROTHERS by Deborah Heiligman. It won ALA's Excellence in Fiction and Printz honor awards for 2018 and I can see why. Besides books on writing craft, I don't read a lot of nonfiction. But the artist in me couldn't resist this book.
It's thick (409 pages), but the chapters are short and mesmerizing and their complimented by Van Gogh's sketches and paintings. It's clear from the start, this author immersed herself in the life of these brothers. The biography is based on the enormous volume of letters Theo and Vincent exchanged. It's a tragic story, but also one of hope and endurance. Vincent's mental illness is portrayed with honesty and sensitivity, as is Theo's poor health from syphillis. Vincent's devotion to his art and the brothers' devotion to each other transcended the tragedy in their lives. When you finish this book, you'll want to set it down gently and find a quiet space to let it settle in your soul.
I write middle grade and young adult books with a magical twist. And creatures, always creatures. I'm represented by the fabulous Leslie Zampetti of Dunham Lit.
Baggott, Asher & Bode
Rear in Gear
Kate DiCamillo on Writing